Photo: Sara Hartmann Siverstsen
Three half-naked male sculptures by Calus Carstensen add humour to the grounds of Panum Institute
Rushing to your lecture hall at 13 minutes past the hour with a steaming latte cup in hand, the rich variety of artistic offerings at the University of Copenhagen campuses may well have escaped your notice.
The works of art on display on campus a somewhat overlooked aspect of the University environment, blending into the background as, quite literally, part of the furniture.
But don’t be deceived. The University boasts an art collection that is comparable in size, worth and quality with the largest collections in Denmark, says Jan Friis Jensen of the University of Copenhagen’s department of Campus Planning & Building.
Most of the art on display on campus is acquired in conjunction with building activities, and indeed a law passed in 1983 ensures that 1 per cent of the budget for new buildings is reserved for the purchase of artwork.
»To put it into perspective, the new buildings at University of Copenhagen, Amager had a budget of, say, around DKK 1,6 billion. That means there is DKK 16 million in conjunction with the build, just for acquiring artwork. In comparison, the National Gallery of Denmark has a budget of around DKK 7 million a year. The university has around 40,000 ‘visitors’ per day, which beats all art museums in Denmark,« says Jan Friis Jensen.
»Where does all the money come from? No wonder this year’s university budget looks so bleak«, I hear you cry. However, the artwork bought via the so-called ‘1 per cent rule’ does not belong to the university, but to the Ministry of Science, Technology and Innovation. So no need to worry that teaching hours are being sacrificed for the sake of unintelligible light sculptures.
Some of the publicly displayed art on campus does belong to the university however, particularly older works; solemn portraits of esteemed scientists and historical paintings, which were given as gifts by royalty and the like. Some pieces are also bought by the university.
Modern art on the university premises often reflects the interplay between scientific pursuits and creative expression. Take for example the newly opened light installation, Colliderscope, which graces the façade of Niels Bohr Institute on Blegdamsvej.
A calvalcade of ephemeral diodes respond to the motions of particles blasted in Cern’s Large Hadron Collider experiment. The speed and trajectory of the particles colliding in Switzerland determines the brightness and tempo of the illuminations, marking the close relationship between the billion euro experiment and Niels Bohr Institute’s scientists.
North Campus
NEON -Lone Høyer Hansen, whose work also hangs in the three Michelin star restaurant Noma, has created a light installation in red and blue neon, which graces the walls on the way towards the Lundbeck Auditorium at the Biocenter, Ole Maaløes Vej 5,2200 København N. Her works are known as a sculptor who works with the relationship between the body, space and the observer. While you are there, check out the large wall mural by Troels Wörsel, a colourful and graphically interesting piece including a monkey and a horse.
Frederiksberg campus
SHEEPISH - Paintings at the the Faculty of Life Sciences at Thorvaldsensvej 40 seem to have a livestock theme. There are lots of pictures of sheep in different poses. For example Inge Ellegaards Sheep with bees placed at the entrance.
South Campus
STUDENT ART - Student art can have somewhat toe-curling connotations. And a number the efforts of Humanities students in the exhibition Eight Formats, which decorates the walls of the Faculty Library in Amager, confirm the stereotype. Wrinkled acrylic paintings of childlike ice-cream cones bearing the words »Be wise, eat ice« are not everyone’s cup of tea. However, there are some interesting pieces, including the above installation in the disabled toilet, by Mille Højerslev Nielsen, who studies Danish.
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